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Front Matter

i-vi

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Contents Page

vii-xi

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Articles

Introduction: Practice, Performance, and Emotions in Medieval and Early Modern Heritage

Alicia Marchant and Jane-Héloïse Nancarrow

1-16

Between Realism and Re-enactment: Navigating Dramatic and Musical 'Problems' in Voyage to the Moon

Joseph Browning and Jane W. Davidson

17-38

After Lives: Considering Disembodied Costume via Medieval Copes and Nick Cave's Soundsuits

Janet Lee and Jo Merrey

39-62  

Hidden Heritage: Concealment, Reuse, and Affective Performance in Historical Buildings and Digital Heritage

Jane-Héloïse Nancarrow

63-90  

Myth, Reality and Revealation: The Performance of Divine Power on Dartmoor

David C. Harvey and Joanne Parker

91-114

Hearing Early Modern Battles: Soundscape Audio as a Way of Recreating the Past

Dolly MacKinnon

115-140

'Three cheers to the old apple tree!': Wassailing and the Affective Performance of Heritage

Alicia Marchant

141-162

Parergon Roundtable: Future/s Medieval: Perspectives from the ANZAMEMS Community

Parergon Roundtable: Future/s Medieval: Perspectives from the ANZAMEMS Community

163-164

Medieval Studies in Australia: Some Thoughts on 'Relevance'

Andrew Lynch

165-168

Notre Dame is Burning: Medieval Futures

Clare Monagle and Amanda Power

169-172

What Future can the Middle Ages Have? Choices and Connections

Helen Young

173-178

Medievalism: From Nationalist and Colonial Past to Global Future

Louise D'Arcens

179-182

Crusading in the Media: Reflections on a Meievalist's Role in Public Debate

Lindsay Diggelmann

183-186

Opinion, Informed Opinion, and Public Perception in the Wiki-Age

Chris Jones

187-192

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Reviews

193-250

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Short Notices

251-266

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