Vol. 36 No. 2 (2019): Practice, Performance and Emotions in Medieval and Early Modern Heritage

Practice, Performance and Emotions in Medieval and Early Modern Heritage

Vol 36, Number 2, 2019

Introduction: Practice, Performance, and Emotions in Medieval and Early Modern Heritage

Alicia Marchant, Jane-Héloise Nancarrow

1-16
Between Realism and Re-enactment: Navigating Dramatic and Musical ‘Problems’ in Voyage to the Moon

Joseph Browning, Jane W. Davidson

17-38
After Lives: Considering Disembodied Costume via Medieval Copes and Nick Cave's Soundsuits

Janet Lee, Jo Merrey

39-62
Hidden Heritage: Concealment, Reuse, and Affective Performance in Historical Buildings and Digital Heritage

Jane-Héloise Nancarrow

63-90
Myth, Reality and Revealation: The Performance of Divine Power on Dartmoor

David C. Harvey, Joanne Parker

91-114
Hearing Early Modern Battles: Soundscape Audio as a Way of Recreating the Past

Dolly MacKinnon

115-140
‘Three cheers to the old apple tree!": Wassailing and the Affective Performance of Heritage

Alicia Marchant

141-162
Medieval Studies in Australia: Some Thoughts on ‘Relevance’

Andrew Lynch

165-168
Notre Dame is Burning: Medieval Futures

Clare Monagle, Amanda Power

169-172
What Future can the Middle Ages Have? Choices and Connections

Helen Young

173-178
Medievalism: From Nationalist and Colonial Past to Global Future

Louise D'Arcens

179-182
Crusading in the Media: Reflections on a Meievalist's Role in Public Debate

Lindsay Diggelmann

183-186
Opinion, Informed Opinion, and Public Perception in the Wiki-Age

Chris Jones

187-192